Painting Assignment - Development 2

More of how the painting came to be. This is a progression shot of the picture during my first lesson. I was aiming to get simular colours to the original painting here. As it turned out I had to make the background more interesting later on. I admit it looks pretty flat at this stage.


Adding in the towers,it really annoyed me that I didn't have very good brush control here,but I don't think I've gotten much better since then. I was aiming for some kind of lonely and mysterious place that was errected as something impressive or as a monument to someone. Incidently,the tower ended up looking like a lighthouse. So the picture looks more like a abanndoned sea that dried up eons ago. I did ditch the little shadows that were going to look like gateways. In my original sketch,it was a mysterious set of pillars and towers that had shadowy gates that lead to who knows where. I might do a version of that idea during the holiday.

Now for something vaguely different. I present a tower of another sort. You could go and make your own conclusions here but really I just saw it and said "It's tower-esqe in composition" and took a picture of it. I think the most disturbing thing is,it looks more forlorn than my painting.




This is more or less the final product,I am going to take a better picture of it by the end of the week. But now the tower has a lot better shadows and looks like it's expecting a light from above or falling stars. Go figure. I did learn a lot from painting this,but it seems I forgot most of it when I started my next one. I really don't know where this all ended up,I think I was heading towards a tower in an endless void and it turned into something else. Surprisingly it is somewhat impressionistic which I like.

Meaning Influential

For this lesson,you will require a dictionary.According to dictionary.com

Nostalgia noun
1.A wistful desire to return in thought or in fact to a former time in one's life, to one's home or homeland, or to one's family and friends; a sentimental yearning for the happiness of a former place or time.
2.Something that elicits or displays nostalgia.
3. The condition of being homesick; homesickness.

Infinite adjective
1.Immeasurably great: an infinite capacity for forgiveness.
2.Indefinitely or exceedingly great: infinite sums of money.
3.Unlimited or unmeasurable in extent of space, duration of time, etc.: the infinite nature of outer space.
4.Unbounded or unlimited; boundless; endless: God's infinite mercy.
5.Mathematics.
a.Not finite.
b.(of a set) having elements that can be put into one-to-one correspondence with a
subset that is not the given set.

Infinite noun
6.Something that is infinite.
7.Mathematics. an infinite quantity or magnitude.
8.The boundless regions of space.
9.The Infinite or the Infinite Being, God.

10.The unlimited expanse in which everything is located; "they tested his ability to locate objects in space"; "the boundless regions of the infinite".

Influences
De Chirico won praise for his work almost immediately from writer Guillaume Apollinaire, who helped to introduce his work to the later Surrealists.

Yves Tanguy wrote how one day in 1922 he saw one of De Chirico's paintings in an art dealer's window, and was so impressed by it he resolved on the spot to become an artist — although he had never even held a brush.

Other artists who acknowledged De Chirico's influence include Max Ernst, Salvador Dalí, René Magritte, and Philip Guston. De Chirico strongly influenced the Surrealist movement.

Michelangelo Antonioni, the Italian film director, also claimed to be influenced by De Chirico. Some comparison can be made to the long takes in Antonioni's films from the 1960s, in which the camera continues to linger on desolate cityscapes populated by a few distant figures, or none at all, in the absence of the film's protagonists.

Modern photographer Duane Michals was also influenced by De Chirico.

John Ashbery has called Hebdomeros "probably...the finest [major work of Surrealist fiction]." [1]

Fumito Ueda's critically acclaimed Playstation 2 game Ico (and also its sequel, Shadow of the Colossus, in a less direct way) was strongly influenced by de Chirico. Both games feature children wandering though huge, ancient and otherwise uninhabited buildings, are predominately yellow and green in colour and use music only for cut-scenes, enhancing the feeling of space and sparseness. The box art for Ico used in Japan and Europe is particularly imitative of de Chirico's Melancholy and Mystery of a Street and The Nostalgia of the Infinite.

The 1914 painting Melancholy and Mystery of a Street was used as the cover for the "adult version" UK paperback edition of Philip Pullman's The Subtle Knife, part of the His Dark Materials trilogy. It is appropriate considering the novel's setting of a southern European-looking town that was abandoned by all but a few disowned children.

De Chirico's 1915 painting The Seer (or The Prophet) is featured on the cover of jazz pianist Thelonious Monk's 1958 album Misterioso.

Personally I belive The Lost Thing by Shaun Tan has some inspiration to de Chirico's work. But that is a personal consideration by me.
(c)by Shaun Tan

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This post is part of an art assignment to research a painting,document this research and produce an interpretation of said painting. Such is the power of the internet and the immediate quality of blogging.

Painting Assignment - Development

A look into my visual diary.
A look at some of my planning,looks like. After I did the copy(picture coming!) I took on the suggestion of my class mates,to make the tower twist. A friend says it looks like the tower melted.

So I moved on and tried a free-form kind of approach. I had a better picture in my mind so of course,it never came out. I tried to make a tower that had a lot of empty space but it also went up. I don't know if that makes sense. But I think the tower is supposed to be a memory of infinity or is a representation of infinite space. I will write more later.

13th May- According to my teacher,I can have my own opinions as part of my research for this assignment. Looking even harder at the picture and trying to figure out just what it is all about. I might be on the right track with it,maybe the title is somewhat misleading. It might relate to the Tower of Babylon,which was supposably a tower that went on for ever. So the 'tower series' by de Chirico may be a continuation of this - a tower is really a big,long building constructed to go as high as mechanically possible.

Another way of looking at this picture/series is as a continuing theme of searching for a retreat. Everyone likes to have their own private space. It could also be a look into a strange fantasy world. Though I kind of like that idea,lonely towers that go upwards to some dizzy height in a empty world that is barely inhabited. It's very open to interpretation,so what I write here could be right.



Incidently if you look at the next progression of idea development,it looks very simular to another of the Tower Series known as the Great Tower. Perhaps the other ones are all aspiring to become like this monument. I don't know where I was heading,I think I was trying to create this space that was a construction that was open or lead up to somewhere. It's annoying when I can see it in my head by not have it translate to paper!


Something of a final development stage - it of course changed while I was painting it. I think I was going for a long and thin tower with archways that went somewhere or perhaps didn't make sense. I think I'll always be in some fantasical landscape.

Some article on de Chirico - I haven't read it since it might upload spyware on my computer. You have been warned!!
Some notes or a report someone did on de Chirico
A poem based on the Nostalgia of the Infinite
Exposure to the ideas of modern mathematics has led artists to attempt to depict graphically the haunting qualities of the infinite. - An article on modern mathematics

"magic unreality and poetic sensibility of metaphysical images" - de Chirico's work as described by here


Guess who?
He studied art in Athens before moving to Paris where he created such unusual works as "Toys of a Prince", "Sweet Afternoon", and "Nostalgia of the Infinite". Influenced by the writings of Apollinaire and Nietzsche, he founded the movement called "pittura metafisica". For 10 points, name this Italian artist known for long shadows and exaggerated perspectives such as those in "Mystery and Melancholy of a Street."
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This post is part of an art assignment to research a painting,document this research and produce an interpretation of said painting. Such is the power of the internet and the immediate quality of blogging.

Giorgio de Chirico - The Nostalgia of the Infinite

The subject of the painting is a large tower. The scene is struck by low, angular evening light. In the foreground below the tower are two small shadowy figures reminiscent of those in future works by Salvador Dalí. This painting is the most famous example of the tower theme which appears in several of de Chirico’s works.

Though the painting is dated 1911, this date is generally held in question. It has been speculated by the Museum of Modern Art in New York that it was created from 1912 to 1913 while the Annenberg School for Communication suggests 1913-14.

Stealing from here again
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This post is part of an art assignment to research a painting,document this research and produce an interpretation of said painting. Such is the power of the internet and the immediate quality of blogging.